The speaker uses a third person omniscient voice to shift between the photographer and other figures in the poem — the husband and wife in the photograph, the editor of the supplement, the readers who experience the images through the media. 6Belfast. It’s a fascinating poem! AQA GCSE English language paper 1 question 5. 14faintly start to twist before his eyes, 15a half-formed ghost.
From the creators of SparkNotes, something better. GCSE AQA English Language RESIT Paper 1 4th November 2019, Importance of Eric Birling in An Inspector Calls. Home again. These figures are all unnamed — to show they represent general people, rather than specific individuals, which gives a wider picture of society as a whole and how it reacts to distant war.
Although I don’t always like Duffy’s poems, this is my absolute favourite of hers; I really love how it’s so personal and thought-provoking. This is his job of work. All flesh is grass. — Watch the trailer for the 2011 documentary War Photographer, which explores the responsibilities of photographers in war zones, focusing on photographer James Nachtwey. The use of multiple locations that the photographer visits suggests that the poem is less about one specific war, and more about human nature, questioning why these atrocities occur and recur throughout history, why we are always fighting and destroying one another. The reader’s eyeballs prick. Therefore, we can see how political beliefs and strong ideologies cause further war, violence and suffering and escalate the number of people involved in any conflict — in most wars, the people on each side fully believe that they are right and fighting honourably for a better future. There are ‘hundreds’ of photographs from a range of locations, which creates an almost dizzying effect when the reader tries to think about it. (including. Simile — ‘as though this were a church’ makes us think of the religious and spiritual aspects of war, given that many wars are fought over religious beliefs, as well as the way in which the media in the modern world functions as a quasi-religion — people become obsessed with certain stories and hold strong opinions and beliefs, especially regarding the politics of conflict. / Beirut. Line 2 has two iambs starting followed by an anapaest and two more iambs which give a rhythmical regularity. The speaker describes the image as a half-formed ghost, suggesting that this is an eerie image, like something out of a horror story.
7He has a job to do. ... into foreign dust. — Watch this NBC interview with Vietnam War photographer Nick Ut about taking his famous photo depicting the naked "Napalm Girl" and the responsibility of photographers in war zones. The photographer has visited all these places and become numb to the suffering and the reasons behind it.
Beirut. This is a curious verb to use - twist - as twisted features infer something not right, something out of order. GCSE English Literature 8702 - Paper 2 - 23rd May 2019, Aqa gcse 2017 English literature paper 2 official thread, GCSE English Literature Edexcel- 9-1- Poetry Anthology Help (Urgent! Metaphor — ‘a half-formed ghost’ — this visual image describes the face of the man as it develops on the photograph, but it also may suggest that his soul or character had been half destroyed by the stress and fear of living amidst conflict. Couplets generally signify harmony and peace, as well as love and connection.
/ Phnom Penh. GCSE AQA English Language Paper 1 and 2 - 4th/7th June 2019 [Exam Discussion]. He doesn't attempt to save anyone; he lands in a foreign country, takes some photos, leaves and then gets top money for his photographs. War Photographer is a stanzaic poem, that is, it has four stanzas each with six lines, making a total of twenty four lines. Thanks for reading! ... and pre-lunch beers. https://www.tes.com/teaching-resource/power-and-conflict-revision-11626301, https://www.tes.com/teaching-resource/power-and-conflict-revision-cards-12107049, War Photographer Exposure 2019 high grade response, Grade 8 essay comparing Prelude and Storm on the Island, Poppies and Exposure Grade 9 model with examiner annotations, Grade 9 Bayonet Charge and Remains (2017 question), Power and Conflict Poetry Revision Grid: Extended Version, Selfishness An Inspector Calls May 2019 sample response, Grade 9 Macbeth response to AQA May 2017 question on ambition, War Photographer and Exposure (2019 exam), Prelude and Storm on the Island (conflict with nature), Ozymandias and Tissue (ideas about power - May 2018 exam), Bayonet Charge and Remains (effects of war -May 2017 exam). Revision cards: Get the entire guide to “War Photographer” as a printable PDF.
Stanza 1: The speaker tells us of a photographer who is alone in his dark room, developing photographs that he has recently taken. Tell us a little about yourself to get started. He remembers the cries, 16of this man’s wife, how he sought approval. In this last stanza of War Photographer, the poet talks about the process of photo-selection by the photographer’s editor, the mixed reactions of the readers when they will read it, and the photographer’s agony. The alliteration of 'spools of suffering' draws attention to the wide range of traumatic experiences recorded by the photographer.
Home ... Line 4 iambic again save for the quiet pyrrhic (no stressed syllables) midway. The reader of this supplement will be briefly upset by the images, in between taking a bath and going for beer with their friends. Line 5 The three cities are all trochaic, stress on the first syllable, whilst the final clause is iambic. LitCharts Teacher Editions. Line 1 has a two trochees, an anapaest, a pyrrhic and another iamb, giving a mild trochaic pentameter, a real mix of feet. All flesh is grass, and all the goodliness thereof is as the flower of the field. Grade 9 English GCSE Creative Writing 40 Mark Example, AQA Power and Conflict poems to compare to eachother, AQA GCSE English Language Paper 1 8700/1 - 4 Jun 2019 Unofficial Mark Scheme. Anyone got any grade 9 analysis of the poem: War Photographer, by Carol Anne Duffy?
It is a stranger (note the inclusion of the word strange) and it starts to twist before his eyes.
registered in England (Company No 02017289) with its registered office at 26 Red Lion About “War Photographer” Scottish poet Carol Ann Duffy (former Poet Laureate of the UK) examines the life of a war photographer who takes pictures of conflicts for British newspapers. His memory is triggered and he is able to recall a wife, her cries, and his need to get approval (somehow, without words, perhaps with just a gesture and a knowing look) before he shot the victim. War Photographer is a poem that poses many questions and challenges the reader's sense of morality. Without war and all its horrors he wouldn't have a job, yet to do that job effectively he has to distance himself from the reality of obscene violence. Analysis of War Photographer Stanza By Stanza War Photographer has a third person speaker, someone who is 'looking in' on the photographer as he develops his latest images in the darkroom. Beirut is the capital of Lebanon, war torn for decades. Analysis of War Photographer Stanza By Stanza. Some lines are longer (up to 14 syllables), others shorter (down to 8 syllables). For example in lines: He has a job to do. Though she also acknowledges that we are moved by the stories and situations and respond with ‘tears’, ultimately the effect of the poem is to leave us both saddened and frustrated but ultimately powerless as we realise that very few of us are in a position to directly help those involved in conflict.
https://www.tes.com/teaching-resource/power-and-conflict-revision-cards-12107049. Teachers and parents! — Learn more about Carol Ann Duffy, Britain's first female Poet Laureate, on Poets.org.
/ All flesh /is grass. — Listen to the poem read aloud.
Tes Global Ltd is He didn't tremble when taking his photos but he's trembling now because he knows the images will affect him. the darkroom could be a metaphor for the photographer's emotional state of mind. Holophrasis — Belfast. All wars are an expression of the potential humans to do evil — Following on from the previous idea, there is a sense that the poem explores humans and their capacity for evil as much as it comments on war specifically — the references to a church in the first stanza suggest that the poem intends to open up more spiritual and philosophical questions about our species, rather than directly speaking about one specific war or incident (as most newspaper articles on war will do). The reader is drawn into a position of moral ambiguity: War Photographer is set in a darkroom, a physical space, but this could easily be a metaphor for the photographer's heart (and mind). The developing process is well underway and now the first hint of an image appears on the photographic paper. He’s back home in Rural England, the English countryside is calm and peaceful, any worries he may have can here be fixed with good weather — unlike the countries where he took the photographs, where the fields exploded as children ran through them, away from conflict.
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